Why I‘ll Never Make It

Recently, I went googling for articles about downsizing and simplifying my life, and I found this one called Simple Living Manifesto, which sounded great. But then the title of the blog post was “72 Ideas to Simplify Your Life“ — who has time for 72 ideas?? That doesn’t sound simple to me. But in all fairness, the writer did give a short list before going into that very long list of ideas. And on the shortlist, they were only two steps: 1) identify what’s most important to you and 2) eliminate everything else. 
But figuring out what’s important to us, can sometimes be a little difficult, and today’s guest is an actress and acting teacher, who has spent her career figuring out ways to simplify the way we actors move and interact on stage, and how we use our energy in performance. 
Jocelyn Jones has been an in-demand acting teacher for over thirty years. From A-list movie stars to hand-picked beginners, and she is here with us today offering insights that can enhance our confidence, guide us in own unique perspective, and leave us with some inspirational nuggets of wisdom. She’ll also be sharing insights from her most recent bestselling book Artist: Awakening the Spirit Within, which provides a blueprint for awakening and connecting to the spirit within each of us. And this is useful for all individuals, whether you’re in the arts or not. Because, as Jocelyn believes, each of us has artistry and creativity within us that should be respected and cared for. 
Timeline of this episode's conversation:
03:50 - Jocelyn's transition from acting into teaching
08:11 - Story #1: Overcoming loneliness and connecting with nature as a child
17:32 - Can anyone be a good actor?
25:46 - Story #2: Discovering her own way of learning as the result of dyslexia
39:25 - How to become a subscriber and stop listening to these promos :)
40:54 - Story #3: Overcoming age stereotypes by producing work in her 70's
 
 
Subscribe to WINMI
If you wanna listen to the full conversation (with Audition Stories and the Final Five questions) as well as get early access to every episode, then become a monthly or yearly subscriber to Why I’ll Never Make It. Though producing this podcast is rewarding in its own way, I’m essentially a one-man operation, and it is both costly and time-intensive to put together each episode. So for just $5-10/month you’ll not only support these podcasting efforts, but you’ll also get to access to these extended conversations and other bonus content. Your financial support of this podcast is greatly appreciated:
Subscribe to get early access to episodes and bonus content  
Make a one-time Donation to support transcripts and podcast production
If subscribing isn't possible for you, then please contact me directly for reduced-price or even free access to the bonus content.
 
Follow WINMI: Website | Instagram | Twitter | YouTube
----------
Why I’ll Never Make It is an award-winning, Top 25 Theater Podcast hosted by actor and singer Patrick Oliver Jones, and it is a production of WINMI Media, LLC. Background music in this episode by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.
 

As a special episode for Women's History Month, music director Julianne Merrill and broadcast technology director Jessica Ryan join the podcast to talk about one of WINMI's favorite organizations, Maestra, and their annual Amplify concert. 
 
Maestra was founded by composer Georgia Stitt (who has been on this podcast before), and Tony Award nominee Kate Baldwin (also a former guest) hosts the third annual evening of music by Maestras like Cyndi Lauper, Debra Monk, Brenda Russell, and Lucy Simon. Their music performed by some of Broadway’s brightest stars, including: Abby Mueller, Andy Kelso, Alysha Umphress, Bre Jackson, and Blake Stadnik (yet another former WINMI guest).
Amplify is a hybrid event, with in-person performances at in New York City and a virtual simulcast with online-only features by our partners at All Together Now (Jessica's company) available worldwide on March 27, 2023.Learn more about Maestra and how you can help them Amplify women musicians. Jessica mentioned Broadway statistics on female composers, find them here on Maestra's website.Timeline of this episode...03:12 - Welcome and Maestra information09:50 - Story #1: What drew Jessica and Julianne to the arts14:07 - The pandemic's effect on the arts18:20 - Story #2: The intersection of technology and the arts32:46 - How Actors Equity is (not) helping theaters embrace the digital age38:57 - Jessica's big and wonderful idea!44:10 - Story #3: Maestra and the Amplify concert
 
 
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----------
Why I’ll Never Make It is an award-winning, Top 25 Theater Podcast hosted by Off-Broadway actor and singer Patrick Oliver Jones, and it is a production of WINMI Media, LLC. Background music in this episode by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.
 

As collaborative as theater can be, there are sometimes when the creative process can be more like herding cats—with no clear direction as everyone tries to get on the same page…hopefully. And that’s Broadway or community theater, a web series or major motion picture. I’ve certainly been in shows that started off a bit chaotic but got better as the cast and creative team could unify around a singular vision for the show. But today’s guest has a few stories about the various ways shows come together, some more successful than others. 
Lisa Howard began her Broadway career almost 20 years ago with a little show with a big name: The 25th Annual Putnam County Spelling Bee. Since then she’s gone on to originate roles in three other Broadway shows and will be talking about two of them in this episode. The first is 9 to 5, which she calls one of the roughest rehearsal periods she’s ever gone through, followed up by Escape to Margaritaville, a fun show for the cast that didn’t find as much fun here in New York City. And we end with a discussion of a topic that she says comes up in every interview--but for this podcast, she wanted to talk about it on her own terms rather than it being something someone else found brave or unusual.
Timeline of this episode's conversation:
02:50 - Lisa and me performing in 42ND STREET at Goodspeed 
04:58 - Lisa shares what made SPELLING BEE so much fun
09:55 - Story #1: 9 TO 5's rough rehearsal process
22:12 - How to become a subscriber and stop listening to these promos :)
23:34 - Story #2: Why Escape to Margaritaville was fun for the cast but not audiences
35:14 - Story #3: How being plus-sized is portrayed onstage and in interviews
Audio clips were used from Ghostlight Records and 2005 Tony Awards.
 
Subscribe to WINMI
If you wanna listen to the full conversation (with Audition Stories and the Final Five questions) as well as get early access to every episode, then become a monthly or yearly subscriber to Why I’ll Never Make It. Though producing this podcast is rewarding in its own way, I’m essentially a one-man operation, and it is both costly and time-intensive to put together each episode. So for just $5-10/month you’ll not only support these podcasting efforts, but you’ll also get to access to these extended conversations and other bonus content. Your financial support of this podcast is greatly appreciated:
Subscribe to get early access to episodes and bonus content  
Make a one-time Donation to support transcripts and podcast production
If you'd like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.
 
Follow WINMI: Website | Instagram | Twitter | YouTube
----------
Why I’ll Never Make It is an award-winning, Top 25 Theater Podcast hosted by actor and singer Patrick Oliver Jones, and it is a production of WINMI Media, LLC. Background music in this episode by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.
 

One of the important aspects of Black History Month is that it’s not just about what happened 50, 100, 200 years ago. It’s also about the present, the world around us and what’s happening now to bring greater representation and celebration of African-American accomplishments and contributions. Of course, we should recognize and respect what has come before us. Black history is an integral part of American history and culture. But it’s also important to recognize the lives and experiences of those we meet and work with everyday.
Sharon Catherine Brown, or ShayCat as I came to know her during our recent production of Anne of Green Gables, is someone with such a rich history of experiences and a wealth of knowledge and insight from her 45 years as an actress and singer on both stage and screen, notably in TV shows with all-black casts like Good Times, The Jeffersons, and A Different World. It is a surety of herself and confidence in her actions that makes her someone to admire and applaud. Not because she’s better than you or me, not because she’s got it all together (which she'd be the first person to admit that's not the case), but rather because she is one of us, she’s gone through her own challenges and felt the ups and downs of this career and has come through them a better performer and a better person.
So it is with great pleasure that I bring you the second half of our conversation. She talks about a nightmare experience on stage in Flora, The Red Menace and recalls the milestone TV shows she was a part of with all-black casts, and she also emphasizes the importance of knowing our worth as actors. 
 
Subscribe to WINMI
If you wanna listen to the full conversation (with Audition Stories and the Final Five questions) as well as get early access to every episode, then become a monthly or yearly subscriber to Why I’ll Never Make It. Though producing this podcast is rewarding in its own way, I’m essentially a one-man operation, and it is both costly and time-intensive to put together each episode. So for just $5-10/month you’ll not only support these podcasting efforts, but you’ll also get to access to these extended conversations and other bonus content. Your financial support of this podcast is greatly appreciated:
Subscribe as a WINMI Producer to get early access and bonus content  
Make a one-time Donation to support transcripts and podcast production
If you'd like to support, but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.
 
Follow WINMI: Website | Instagram | Twitter | YouTube
----------
Why I’ll Never Make It is an award-winning, Top 25 Theater Podcast hosted by Off-Broadway actor and singer Patrick Oliver Jones, and it is a production of WINMI Media, LLC. Background music in this episode by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.
 

One essential ingredient to any actors career is experience. It allows us to develop our craft and hone our skills over time. With each performance, we refine techniques, learn from mistakes, and develop greater emotional and psychological depth in our performances. But this growth in credibility and authenticity in acting comes as much from our offstage lives as it does from our onstage experiences. And today’s guest shares both personal and professional challenges that have shaped her not only into a great actress, but an amazing person as well.
Sharon Catherine Brown has appeared in films like A Chorus Line and Sister Act 2, in soap operas like Generations, and sitcoms like The Jeffersons, Good Times, and The Fresh Prince of Bel-Air. But theater is where she got her start and remains her first love. From Broadway productions of Dreamgirls and Joseph and the Amazing Technicolor Dreamcoat to the national tours of The Wiz, Rent, and Jekyll & Hyde, ShayCat (as she’s known to friends) has the kind of experiences and resume that any actor would love to have. She and I met this past year doing a new musical version of the classic novel, Anne of Green Gables. And in part one of our conversation, she shares with us the long line of performers in her family (namely Johnny Brown, her father), a harrowing experience in her first Broadway show (Maggie Flynn), and the moment she knew she was born to be a drama queen.
Timeline of this episode's conversation:
03:27 - How she got the name ShayCat 
05:39 - Story #1: Coming from a long line of Broadway performers
19:55 - Story #2: The moment she knew she was a drama queen 
36:50 - Performing difficult scenes with children as well as adults
43:15 - Productions needing to cast big names to get an audience
 
Subscribe to WINMI
If you wanna listen to the full conversation (with Audition Stories and the Final Five questions) as well as get early access to every episode, then become a monthly or yearly subscriber to Why I’ll Never Make It. Though producing this podcast is rewarding in its own way, I’m essentially a one-man operation, and it is both costly and time-intensive to put together each episode. So for just $5-10/month you’ll not only support these podcasting efforts, but you’ll also get to access to these extended conversations and other bonus content. Your financial support of this podcast is greatly appreciated:
Subscribe as a WINMI Producer to get early access and bonus content  
Make a one-time Donation to support transcripts and podcast production
If you'd like to support, but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.
 
Follow WINMI: Website | Instagram | Twitter | YouTube
----------
Why I’ll Never Make It is an award-winning, Top 25 Theater Podcast hosted by Off-Broadway actor and singer Patrick Oliver Jones, and it is a production of WINMI Media, LLC. Background music in this episode by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.
 
 

Welcome to Season 7!
One of the joys that can come from being an actor, besides getting to perform on stage, and feeling the energy of a live audience, is that of working with other wonderful actors and collaborating on stage as well as building friendships off stage. Throughout the past six seasons, I’ve had the pleasure of bringing on some of these wonderful castmates, and not only share with you their stories, but I to get to learn a little more about them as well.
This past year I was cast in my second production of 42nd Street, this time at the Goodspeed Opera House in Connecticut. You heard from Kate Baldwin last season, and so for this first episode of the season, I wanted to bring on another wonderful performer from that production. 
Blake Stadnik is probably most well known for his role as Jack Damon in NBC’s This Is Us, but he’s actually been performing since his childhood thanks to his mother, who introduced him to dancing and performing after he lost the majority of his eyesight due to Stargardt’s Disease. He went on, though, to get his BFA in musical theater from Penn State University.
In our conversation, Blake will talk more about this disease and how it’s impacted his life on and off stage. We’ll also discuss the responsibilities of being an actor, and how Blake has had to remind himself at times why he is a performer. Lastly, he shares the tragic events that led to his father’s passing, the impact of that loss, and the ways in which he carries on his father’s legacy.
Timeline of this episode's conversation:
03:12 - Blake and Patrick discuss 42nd Street at Goodpseed 
06:54 - How Blake dances with Stargardt's Disease
13:53 - Story #1: Not getting cast because of his disability
19:47 - The limits others place on Blake vs. those he places on himself
33:11 - Story #2: Blake's internal struggle with selfishness for being an actor 
38:55 - Story #3: Losing his father just as he was about to start This Is Us
49:23 - Missing his father and carrying on his legacy
 
 
Subscribe to WINMI
If you wanna listen to our full conversation (with Audition Stories and the Final Five questions) as well as get episodes a week early from now on, then become a monthly or yearly subscriber to Why I’ll Never Make It. Though producing this podcast is rewarding in its own way, I’m essentially a one-man operation, and it is both costly and time-intensive to put together each episode. So for just $5-10/month you’ll not only support these podcasting efforts, but you’ll also get to access to these extended conversations and other bonus content. Your financial support of this podcast is greatly appreciated:
Subscribe as a WINMI Producer to get early access and bonus content  
Make a one-time Donation to support transcripts and podcast production
If you'd like to support, but have limited funds to do so, then contact me directly for access to the bonus content.
 
Follow WINMI: Website | Instagram | Twitter | YouTube
----------
Why I’ll Never Make It is an award-winning, Top 25 Theater Podcast hosted by Off-Broadway actor and singer Patrick Oliver Jones, and it is a production of WINMI Media, LLC. Background music in this episode by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.
 

Welcome to Season Seven of Why I’ll Never Make It, an award-winning theater podcast. After a few weeks off, I’m so excited to be back for another year of great guests and wonderful discussions. Some of these artists are just getting started in the business, while others are Tony-nominated actors and directors. 
I’m your host and producer, Patrick Oliver Jones, an actor and singer living in New York City with more than 30 years of experience. This season I’ll be talking with guests every other week as they share meaningful stories and experiences that have affected them and their careers. The defining moments uncover personal setbacks as well as professional failures. 
As always your support of this podcast is both needed and appreciated. One of my ongoing efforts is to transcribe each episode for more accessibility to deaf and hard of hearing artists. But that takes time and money, something in short supply as a one-man production team, so please consider a one-time donation or monthly subscription:
Donors will get a shoutout on the podcast.
Subscribers get the added benefit of bonus content as well as early access to every episode.
Subscriber episodes include the full interview along with Audition Stories and the Final Five questions. 
So as you can see there’s a lot to look forward to in 2023! Join me on Mondays every other week for engaging stories and candid conversations as we talk more about Why I’ll Never Make It. 
Follow WINMI: Website | Instagram | Twitter | YouTube
 

Each of us has an inner voice that can be very loud and persuasive. Hopefully, it’s pushing us to do better and reminding us of all we can accomplish. But sometimes it leads us to believe that the theater industry is too hard and constantly tells us we’re not good enough or don’t deserve an amazing acting career.
With an inner critic like that it’s gonna be really difficult to motivate ourselves to keep going, to go to that next audition. The very title of this podcast is an example of the ways in which we can stifle our own potential. Yes, training and talent are certainly important too, but it’s our mindset that is the key to using our training and talent to their fullest extent.
So as we start off this new year, I’m continuing where we left off last week with Brooke McNamara by talking with another psychologist, Alisa Hurwitz. In this episode from 2020, we dive into why mindset is so important, and how we actors can better handle rejection and the challenges we face in this business.
Support this podcast in one of two ways:
Subscribe to WINMI and get Bonus Episodes  
Make a one-time Donation to the podcast
 
Timeline of this episode's conversation:
04:25 - Setting Realistic and Aspirational Goals 
15:59 - Defining Success as an Actor
20:17 - The Peter Principle
24:45 - Comparing Ourselves to Others
27:03 - Our Performance Onstage and Online
32:51 - Strategies of How to Push Forward in Life and Career
35:43 - The (Not-So) Secret of Positive Thinking
 
Her moniker Dr. Drama comes from her many analytical interviews, discussions, and articles on theater, specifically her lifelong passion for musical theater. She’s even consulted on regional and off Broadway productions on elements related to psychological concepts and mental health issues. So she is the perfect person to help us face some of the realities of this make-believe world of theater, a profession that can bring us tremendous joy but also disappointment and frustration.
Follow Alisa: Website / Instagram / Twitter 
Follow WINMI: Instagram / Twitter / Website