When it comes to work as an actor, there’s that old adage of "feast or famine" or "when it rains it pours." For myself that has meant going 11 months without any work…all while still auditioning of course. While there have been other times when three shows come up at once, and I had to decide which ONE of them I’m going to do.
In Part Two of my conversation with Rodney Hicks, we’re going to be talking about the feasts and famines of his career -- various shows and original casts he’s been a part of as well as the shows he didn’t get and the lessons he’s learned from both experiences. As he shared in Part One, Come From Away marked a time in Rodney’s life that was certainly a feast. Not only was the show a wonderful chance for him to create and perform a rich character, but the show itself was getting a lot of buzz and it opened on Broadway with a lot of fanfare and high expectations. At the same time other aspects of his performing and coaching career were also taking off.
But his diagnosis of spasmodic dysphonia and it’s unfortunate progression took him in a very unexpected direction. And that’s where we pick up our conversation today: a look at everything that was going right in his life and how quickly it all changed.
We also discuss the upcoming Tony Awards and his bookend contracts in the original Broadway run of RENT.